Interviews & Reviews

THE WINONAS RECORDED THEIR SECOND ALBUM IN A SPARE BEDROOM, THEN BUILT A SCENE AROUND IT

FEBRUARY 19, 2026

Suffolk three-piece the Winonas — James on guitar and vocals, Kate on bass and vocals, Paul on drums and vocals — dropped their second record “Dead Romantic” on Valentine’s Day. Ten tracks, self-recorded, self-mixed, self-mastered. Eighteen months after their debut “Glass Skin,” the band from Bury St Edmunds is doing things the way they want, on their own terms, from James’s spare room.

The album was supposed to happen differently. The original idea was to put out a song a month through 2025. They managed four before pulling the plug. “We found that we were chasing our tails a bit too much,” James explains.

“We didn’t want the quality of our music to diminish just to rush out a new song every 4 weeks.” After April, they stepped away for a few months and picked it back up in September.

The DIY thing here is the actual production method. Drums had to be tracked in a studio because, as James puts it, they simply don’t have the facilities at home for that. Everything else — vocals, bass, guitar, whatever else ended up on the record — was laid down in James’s spare bedroom. Paul handled mixing and mastering at his place or, somewhat brilliantly, during his lunch breaks at work. Kate did all the artwork and design.

Songwriting works through a simple relay system. James writes and records demos, brings them to practice, and the band collectively shapes them into finished songs. No outside hands involved.

Dead Romantic” stretches wider than “Glass Skin” did. There are acoustic songs, dance-leaning tracks, guest vocalists. James acknowledges the reactions: “So many people have been surprised by songs such as ‘Fatal Attraction’ and ‘The Mirror’ as not being ‘our sound.'” His position on it is pretty clear. “If we think the song will work as a Winonas song then we will do our best to get that song out into the world despite expectations.”

Several tracks from the album have already landed on radio stations internationally. The plan for the rest of the year is straightforward — play as many shows around the country as they can, plus radio appearances and podcast sessions, many of which are already lined up.

But the Winonas aren’t just a band. James also runs Punks Dead Promotions, which started with monthly shows at Hank’s Vegan Restaurant in Ipswich and has since expanded across East Anglia.

Quite similar to IDIOTEQ (ha ha), their model is simple and unprofitable — for James, at least. “I put on shows where I don’t take any money for it at all. The venue charges for entry and I allow them to keep the money to support the venue.” He makes sure every band on the bill knows the deal. “Everyone understands that without the venues we won’t have anywhere left to perform. All of the bands are just happy to play to an audience hungry for new and exciting music.”

It’s a lot of organizing and promoting for zero personal return, but James sees it as his way of keeping local music alive. He also points to a broader shift working in his favor. “The increased cost of tickets for bigger bands and festivals these days has helped push people towards local music scenes. There seems to be a continued growth in underground music and that has benefitted the bands a lot.”

 

Currently, Punks Dead has seven shows booked for the year. The lineup includes a gig in Ipswich featuring an American punk band from Boston mid-tour, a show in Bury St Edmunds, two in Cambridge — one an all-day event to raise funds for the Six Six Bar, the other in support of Love Music Hate Racism, a cause James got more involved with after the Winonas played one of their events last year.

There’s also an all-day show in Colchester at the Three Wise Monkeys, plus a couple of smaller evening gigs at another venue in town.

Running the shows means the Winonas can slot themselves onto bills when it makes sense. “It makes for a more fun evening for me,” James says, which is about as honest a reason as any.

The network keeps growing. Bands from Brighton, Oxford, Hastings, London, Northampton, and now the US have traveled to play Punks Dead events. The payoff goes both ways — bands they’ve hosted have invited the Winonas and others to come play their own towns.
“It’s a strange thing putting something personal out to the world especially when you have no idea how that will be received,” James says of the new record. “At the very least, every time someone takes the time, it means a lot to us.”

A spare bedroom, some lunch breaks, and a network of venues held together by people who’d rather play than profit. That’s the whole operation.

 

TAGS:

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PUNK ROCK

THE WINONAS

WINONAS

Karol Kamiński

DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels.
Contact via www.idioteq.com@gmail.com

MOUTH FULL OF RECORDS

I GOT THE JUICE - REVIEW

unsigned-reviews Music Review

February 24, 2026

I GOT THE JUICE THE WINONAS

Reviewed by Dee

Tremolo bolero.

This is darkness smiling at you.

I GOT THE JUICE is the first track on the new release from THE WINONAS, out of Bury St. Edmunds, England, off their just released DEAD ROMANTIC song compilation. I’m actually listening to all the songs but I will circle back to I GOT THE JUICE after some first impressions on the music overall.

The songs hold their own, each in their own way, beat, rhythm, lyric, start, finish, without any extraneous fluff or gratuitous dirt. They are accurately composed, which is a relief. The music, in a nutshell, sticks very deftly to its punk-grunge roots, right down to the recording quality. Speaking of dirt, the guitar, well placed in every song I might add, has a universal tone to it that sounds rooted in a 70s effect. I could name names. Whether it was captured live, off the floor, through the PA, inline, it’s effective. It’s rhythm guitar like it should be and the leads don’t suck either. Album-wise I could stand to hear more of those leads. What I don’t hear is the God-like down-strokes-only punk method a la Johnny Ramone, though the songs bear some resemblance in parts. There’s enough power behind each punched out power chord to carry the part. The drums and bass hold a steady fast beat and the sound overall is cut-throat and painless. The band explores multiple rhythms and delve into some poly-rhythmic breaks in the action, all carried off adroitly by the drums and bass combo.

The intro is all percussion and effective at getting the heart pumping. The low volume tracked guitar in the background, which could have been someone scraping a rake over the sidewalk, sets the mood. Somehow, I knew I was about to be 2 x4’d by sound in 1, 2… . I’d been here before: dominated by the crunch guitar, the clear bass line landing all the right cues; the sharp, trebly cymbals slicing and dicing among the toms. You could fry an egg to the timing. The build sequence, about 10 seconds of syncopated thrumming and strumming, creeps up like steps to the altar. The first pin to drop and demand your attention is the pulsing guitar/drum combo, almost asymmetric, that is the heartbeat of the song with the sawing guitars overtop, to 11. The song’s mix generates a sound wave that re-wires the body and brain temporarily to bob and stomp. I think some of this sensation could also be an artefact of the production. That possibility notwithstanding, I GOT THE JUICE has some stellar qualities worthy of mention.

The simple verse melodies reminiscent of The Offspring, get even simpler as the chorus echoes back it’s plaintive call “I Got The Juice” to anyone out their who may be listening. The steady wud, wud of the rhythm section, pounded on, like drunk Nirvana, absolutely in the pocket no matter what and I’m not a Dave Grohl fan. Lots of other great ideas too in the bridges and breaks. This music bursts with restrained chaos and I GOT THE JUICE pours that sonic liquid into my ears with confidence and swagger.

I look forward to the next production step up, to take some of these songs to the best place they can be. Looks like a lively live show too. I see a cross between Wayne County, (Some Obscure Band) and The Cramps. Others would put them in the NIRVANA, JESUS LIZARD, PISSED JEANS AND FUGAZI set list at the music festival. For me however, that remains only to be heard and yet to be seen.

If you are looking for new, get up and move, rock, punk, grunge, basement 90s dystopic, light at the end of the tunnel, smiles in the darkness, to keep you awake this winter type music, check out I GOT THE JUICE to get an earful. The other tunes on DEAD ROMANTIC by THE WINONAS have the JUICE, too.

Musical style: indie, rock, 90s, lyrical, lo-fi, garage rock, grunge

Source: Website form.
Website: https://thewinonasband.com/home
Song Writer: James Wallace
City: Bury St Edmunds, England
Song link: https://open.spotify.com/track/5e6h8SyEX8qr143sUXC2dv?si=bdb61f55d1e04c6a

 


 


 

LIVE SESSION WITH THE WINONAS

RECORDED LIVE AT HERE WE AREN'T PETERBOROUGH JANUARY 25th 2026

AVAILABLE ANYWHERE YOU STREAM PODCASTS

THE IDEA DIMENSION VIDEO REVIEW OF THE WINONAS ALBUM DEAD ROMANTIC